PAVILION • 10 SEPT 2021 • 10:00

“Enrico Fulchignoni” Award and Round Table “Expanded Cinema from screens to platforms in the Covid Age”

The winners of the 32nd edition of the “Enrico Fulchignoni” award will be presented by Pierpaolo Saporito, President of the CICT-UNESCO (International Cinema and Television Committee), and by the international jury. During the roundtable “Expanded Cinema from screens to platform in the Covid Age” will be discussants from all over the world such as:

Pierpaolo Saporito, President a.i., ICFT-UNESCO
Serge Michel, Vice President, ICFT-UNESCO – France
Vittorio Giacci, Delegate MCM – Italy
Isabelle Danel, President, FIPRESCI – Germany
Agnès Ravoyard, Delegate, Signis – Belgium
Giacomo Mazzone, Secretary-General, Eurovisioni – Switzerland
Jasmina Bojic, Founder and President, UNAFF Travelling Film Festival, Stanford University – United States
Rizwan Ahamd, Director, MANUU Media Center UGC – India
Georges Dupont, Director General, ICFT-UNESCO
Manouj Kadaamh, 24 FramesEntertainment, India

 

At its 33rd edition, this Prix can be considered the most significant cinematographic acknowledgment awarded by ICFT-UNESCO to the movie presented at the Venice International Film Festival best representing the values of peace and tolerance promoted by UNESCO.

In the roundtable “Expanded Cinema from screens to platforms in the Covid Age” discussants will talk about how in the past ten years, new and powerful technologies allowed everyone to produce and share their movies all over the world, in what has become the social media standard.

At the same time, Covid-19 closed people in their homes, increasing the number of watched hours of fiction and series within domestic walls with a tremendous selection by streaming platforms. On one side, this enables to enrich the knowledge of the history of cinema, reopening the great archives of the majors and relaunching the restoring of movies. On the other side, it became clear that entire geographical areas, cultures and productions, remain left out from this process. The risk for a disturbed reality seems to be concrete with internet and digital platforms, which are the only ones able to manage and develop cinematographic and audio-visual productions. Moreover, since these structures are created in a multinational perspective, an additional factor is that of a pronounced unbalance to the detriment of national identities and cultures, an ineliminable requirement in terms of democracy and expressive independence that must be recognised to every subject, without neither hegemonies nor exclusions.

 

 

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